Updates for 8-18-10
Some cosmetic changes took place last night...the two-toned back revealing the natural ash is out, and the back is black again, as planned. It was just too sloppy and detracted.
Here's the painted back, and the top with a couple of clear coats sitting on the back:

Today I added a curly maple veneer to the front side of the neck headstock to match the front of the guitar.
Here's the neck with the veneer in place:

After receiving black dye:

After sanding the black away, the green dye goes on:

Back to work tomorrow to find out if I'm still employed...
Some cosmetic changes took place last night...the two-toned back revealing the natural ash is out, and the back is black again, as planned. It was just too sloppy and detracted.
Here's the painted back, and the top with a couple of clear coats sitting on the back:

Today I added a curly maple veneer to the front side of the neck headstock to match the front of the guitar.
Here's the neck with the veneer in place:

After receiving black dye:

After sanding the black away, the green dye goes on:

Back to work tomorrow to find out if I'm still employed...








...hopefully this is the last). The neck is drilled and the tuners are mounted. The pickups are mounted to their trim rings, and the final electronics scheme is worked out. From here it's a matter of waiting for the lacquer to cure and deciding how much rubbing out I want to do...the results from the spray can are glossy and smooth in most places, but there's some orange peel and overspray spots in a few areas. Once that's done we bolt the neck up, wire the pups and pots together, mount the chamber cover, string it, and find the ear plugs! 



There's always risk with anything that penetrates the finish at this stage, but it is the back, and I'm not sure there's a viable way around it....if we don't go thru the back, he'll need to remove the bridge everytime he restrings it. Suggestions welcome!

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